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Paradise Lost is an epic poem in blank verse by the 17th-century English poet John Milton (1608–1674). The first version, published in 1667, consisted of ten books with over ten thousand lines of verse. A second edition followed in 1674, arranged into twelve books (in the manner of Virgil's Aeneid) with minor revisions throughout and a note on the versification. It is considered by critics to be Milton's major work, and it helped solidify his reputation as one of the greatest English poets of his time.
The poem concerns the biblical story of the Fall of Man: the temptation of Adam and Eve by the fallen angel Satan and their expulsion from the Garden of Eden. Milton's purpose, stated in Book I, is to "justify the ways of God to men".
Composition[]
Gustave Doré, The Heavenly Hosts, c. 1866, illustration to Paradise Lost.
In his introduction to the Penguin edition of Paradise Lost, the Milton scholar John Leonard notes, "John Milton was nearly sixty when he published Paradise Lost in 1667. [The writer] John Aubrey (1626–97) tells us that the poem was begun in about 1658 and finished in about 1663. But parts were almost certainly written earlier, and its roots lie in Milton's earliest youth." Leonard speculates that the English Civil War interrupted Milton's earliest attempts to start his "epic [poem] that would encompass all space and time."
Leonard also notes that Milton "did not at first plan to write a biblical epic." Since epics were typically written about heroic kings and queens (and with pagan gods), Milton originally envisioned his epic to be based on a legendary Saxon or British king like the legend of King Arthur. In the 1667 version of Paradise Lost, the poem was divided into ten books. However, in the 1672 edition, Paradise Lost contained twelve books.
Having gone totally blind in 1652, Milton wrote Paradise Lost entirely through dictation with the help of amanuenses and friends. He also wrote the epic poem while he was often ill, suffering from gout, and despite the fact that he was suffering emotionally after the early death of his second wife, Katherine Woodcock, in 1658, and the death of their infant daughter. Milton remarried five years later in 1663.
Structure[]
The poem is divided into "books" (ten originally, twelve in Milton's revised edition of 1674). The Arguments (brief summaries) at the head of each book were added in subsequent imprints of the first edition.
Synopsis[]
Gustave Doré, Depiction of Satan, the central character of John Milton's Paradise Lost c. 1866.
The poem follows the epic tradition of starting in medias res (Latin for in the midst of things), the background story being recounted later.
Milton's story has two narrative arcs, one about Satan (Lucifer) and the other following Adam and Eve. It begins after Satan and the other rebel angels have been defeated and banished to Hell, or, as it is also called in the poem, Tartarus. In Pandæmonium, Satan employs his rhetorical skill to organize his followers; he is aided by Mammon and Beelzebub. Belial and Moloch are also present. At the end of the debate, Satan volunteers to corrupt the newly created Earth and God's new and most favored creation, Mankind. He braves the dangers of the Abyss alone in a manner reminiscent of Odysseus or Aeneas. After an arduous traversal of the Chaos outside Hell, he enters God's new material World, and later the Garden of Eden.
At several points in the poem, an Angelic War over Heaven is recounted from different perspectives. Satan's rebellion follows the epic convention of large-scale warfare. The battles between the faithful angels and Satan's forces take place over three days. At the final battle, the Son of God single-handedly defeats the entire legion of angelic rebels and banishes them from Heaven. Following this purge, God creates the World, culminating in his creation of Adam and Eve. While God gave Adam and Eve total freedom and power to rule over all creation, he gave them one explicit command: not to eat from the tree of the knowledge of good and evil on penalty of death.
The story of Adam and Eve's temptation and fall is a fundamentally different, new kind of epic: a domestic one. Adam and Eve are presented as having a romantic and sexual relationship while still being without sin. They have passions and distinct personalities. Satan, disguised in the form of a serpent, successfully tempts Eve to eat from the Tree by preying on her vanity and tricking her with rhetoric. Adam, learning that Eve has sinned, knowingly commits the same sin. He declares to Eve that since she was made from his flesh, they are bound to one another ‒ if she dies, he must also die. In this manner, Milton portrays Adam as a heroic figure, but also as a greater sinner than Eve, as he is aware that what he is doing is wrong.
After eating the fruit, Adam and Eve have lustful sex. At first, Adam is convinced that Eve was right in thinking that eating the fruit would be beneficial. However, they soon fall asleep and have terrible nightmares, and after they awake, they experience guilt and shame for the first time. Realizing that they have committed a terrible act against God, they engage in mutual recrimination.
Meanwhile, Satan returns triumphantly to Hell, amidst the praise of his fellow fallen angels. He tells them about how their scheme worked and Mankind has fallen, giving them complete dominion over Paradise. As he finishes his speech, however, the fallen angels around him become hideous snakes, and soon enough, Satan himself turned into a snake, deprived of limbs and unable to talk. Thus, they share the same punishment, as they shared the same guilt.
Eve appeals to Adam for reconciliation of their actions. Her encouragement enables them to approach God, and sue for grace, bowing on suppliant knee, to receive forgiveness. In a vision shown to him by the angel Michael, Adam witnesses everything that will happen to Mankind until the Great Flood. Adam is very upset by this vision of the future, so Michael also tells him about Mankind's potential redemption from original sin through Jesus Christ (whom Michael calls "King Messiah").
Adam and Eve are cast out of Eden, and Michael says that Adam may find "a paradise within thee, happier far". Adam and Eve also now have a more distant relationship with God, who is omnipresent but invisible (unlike the tangible Father in the Garden of Eden).
Characters[]
Satan[]
Satan, formerly called Lucifer, is the first major character introduced in the poem. He was once the most beautiful of all angels, and is a tragic figure who famously declares: "Better to reign in Hell than serve in Heaven." Following his failed rebellion against God, he is cast out from Heaven and condemned to Hell. Satan's desire to rebel against his creator stems from his unwillingness to be subjugated by God and his Son, claiming that angels are "self-begot, self-raised," and thereby denying God's authority over them as their creator.
Satan is deeply arrogant, albeit powerful and charismatic.[citation needed] Satan's persuasive powers are evident throughout the book; not only is he cunning and deceptive, but he is also able to rally the fallen angels to continue in the rebellion after their agonizing defeat in the Angelic War. He argues that God rules as a tyrant and that all the angels ought to rule as gods. Though commonly understood to be the antagonizing force in Paradise Lost, Satan may be best defined as a tragic or Hellenic hero. According to William McCollom, one quality of the classical tragic hero is that he is not perfectly good and that his defeat is caused by a tragic flaw, as Satan causes both the downfall of man and the eternal damnation of his fellow fallen angels despite his dedication to his comrades. In addition, Satan's Hellenic qualities, such as his immense courage and, perhaps, lack of completely defined morals compound his tragic nature.
Satan's status as a protagonist in the epic poem is debated. Milton characterizes him as such, but Satan lacks several key traits that would otherwise make him the definitive protagonist in the work. One deciding factor that insinuates his role as the protagonist in the story is that most often a protagonist is heavily characterized and far better described than the other characters, and the way the character is written is meant to make him seem more interesting or special to the reader. For that matter, Satan is both well described and is depicted as being quite versatile in that he is shown as having the capacity to do evil whilst retaining his characteristic sympathetic qualities and thus it is this complex and relatable nature that makes him a likely candidate for the story's overarching protagonist.
By some definitions a protagonist must be able to exist in and of himself or herself and that the secondary characters in the work exist only to further the plot for the protagonist. Because Satan does not exist solely for himself, as without God he would not have a role to play in the story, he may not be viewed as the protagonist because of the continual shifts in perspective and relative importance of characters in each book of the work. Satan's existence in the story involves his rebellion against God and his determination to corrupt the beings he creates in order to perpetuate evil so that there can be a discernable balance and justice for both himself and his fallen angels. Therefore, it is more probable that he exists in order to combat God, making his status as the definitive protagonist of the work relative to each book.
Satan's status as a traditional hero in the work is similarly up to debate as the term "hero" evokes different meanings depending on the time and the person giving the definition and is thus a matter of contention within the text. According to Aristotle, a hero is someone who is "superhuman, godlike, and divine" but is also human. A hero would have to either be a human with God-like powers or the offspring of God. While Milton gives reason to believe that Satan is superhuman, as he was originally an angel, he is anything but human. Therefore, according to Aristotle's definition of a hero alone, Satan is not a hero. Torquato Tasso and Francesco Piccolomini expanded on Aristotle's definition and declared that for someone to be considered heroic one has to be perfectly or overly virtuous. Satan repeatedly demonstrates a lack of virtue throughout the story as he intends to tempt God's creations with evil in order to destroy the good God is trying to create. Satan goes against God's law and therefore becomes corrupt and lacking of virtue and, as Piccolomini warned, "vice may be mistaken for heroic virtue". Satan is very devoted to his cause, although that cause is evil but he strives to spin his sinister aspirations to appear as good ones. Satan achieves this end multiple times throughout the text as he riles up his band of fallen angels during his speech by deliberately telling them to do evil to explain God's hypocrisy and again during his entreaty to Eve. He makes his intentions seem pure and positive even when they are rooted in evil and, according to Steadman, this is the chief reason that readers often mistake Satan as a hero.
Although Satan's army inevitably loses the war against God, Satan achieves a position of power and begins his reign in Hell with his band of loyal followers, composed of fallen angels, which is described to be a "third of heaven". Satan's characterization as the leader of a failing cause folds into this as well and is best exemplified through his own quote, "to be weak is to be miserable; Doing or Suffering", as through shared solidarity espoused by empowering rhetoric, Satan riles up his comrades in arms and keeps them focused towards their shared goal. Similar to Milton's republican sentiments of overthrowing the King of England for both better representation and parliamentary power, Satan argues that his shared rebellion with the fallen angels is an effort to "explain the hypocrisy of God", and in doing so, they will be treated with the respect and acknowledgement that they deserve. As scholar Wayne Rebhorn argues, "Satan insists that he and his fellow revolutionaries held their places by right and even leading him to claim that they were self-created and self-sustained" and thus Satan's position in the rebellion is much like that of his own real world creator.
Adam[]
Adam is the first human created by God. Though initially alone, Adam demands a mate from God. Considered God's prized creation, Adam, along with his wife, rules over all the creatures of the world and resides in the Garden of Eden. He is more gregarious than Eve, and yearns for her company. His complete infatuation with Eve, while pure in and of itself, eventually contributes to his joining her in disobedience to God.
Unlike the biblical Adam, before he leaves Paradise this version of Adam is given a glimpse of the future of mankind (including a synopsis of stories from the Old and New Testaments) by the Archangel Michael.
Eve[]
Eve is the second human created by God, taken from one of Adam's ribs and shaped into a female form of Adam. Far from the traditional model of a good wife, she is often unwilling to be submissive towards Adam. She is more intelligent and curious about external ideas than her husband. Though happy, she longs for knowledge and, more specifically, self-knowledge. Her first act in existence is to turn away from Adam and look at and ponder her own reflection. Eve is extremely beautiful and thoroughly in love with Adam, though may feel suffocated by his constant presence. In Book IX, she convinces Adam that it would be good for them to split up and work different parts of the Garden. In her solitude, she is tempted by Satan to sin against God. Adam shortly follows along with her.
The Son of God[]
The Son of God is the spirit who will become incarnate as Jesus Christ, though he is never named explicitly, since he has not yet entered human form. Milton's God refers to the Son as "My word, my wisdom, and effectual might" (3.170), but Milton believed in a subordinationist doctrine of Christology that regarded the Son as secondary to the Father, His "great Vice-regent" (5.609). The poem is not explicitly anti-trinitarian, but is consistent with Milton's convictions. The Son is the ultimate hero of the epic and is infinitely powerful, single-handedly defeating Satan and his followers and driving them into Hell. The Son of God tells Adam and Eve about God's judgment after their sin. He sacrificially volunteers to journey to the World, become a man himself, and redeem the Fall of Man through his own death and resurrection. In the final scene, a vision of Salvation through the Son of God is revealed to Adam by Michael. Still, the name, Jesus of Nazareth, and the details of Jesus' story are not depicted in the poem., though they are alluded to when Michael explains that "Joshua, whom the Gentiles Jesus call," prefigures the Son of God, "his name and office bearing" to "quell / The adversarie Serpent, and bring back [...] long wander[e]d man / Safe to eternal Paradise of rest."
God the Father[]
God the Father is the creator of Heaven, Hell, the world, and of everyone and everything there is, through the agency of His Son. He desires glory and praise from all his creations. He is an all-powerful, all-knowing, infinitely good being who cannot be overthrown by even the great army of angels Satan incites against him. The stated purpose of the poem is to justify the ways of God to men, so God often converses with the Son of God concerning his plans and reveals his motives regarding his actions. The poem portrays God's process of creation in the way that Milton believed it was done, with God creating Heaven, Earth, Hell, and all the creatures that inhabit these separate planes from part of Himself, not out of nothing. Thus, according to Milton, the ultimate authority of God derives from his being the "author" of creation. Satan tries to justify his rebellion by denying this aspect of God and claiming self-creation, but he admits to himself this is not the case, and that God "deserved no such return/ From me, whom He created what I was."
Raphael[]
Raphael is an archangel whom God sends to warn Adam about Satan's infiltration of Eden and to warn him that Satan is going to try to curse Adam and Eve. He also has a lengthy discussion with the curious Adam regarding creation and events which transpired in Heaven.
Michael[]
Michael is a mighty archangel who fought for God in the Angelic War. In the first battle, he wounds Satan terribly with a powerful sword that God designed to even cut through the substance of angels. After Adam and Eve disobey God by eating from the Tree of Knowledge, God sends the angel Michael to visit Adam and Eve. His duty is to escort Adam and Eve out of Paradise. Before he does this, Michael shows Adam visions of the future which cover an outline of the Bible, from the story of Cain and Abel in Genesis, up through the story of Jesus Christ in the New Testament.
The Fallen Angels[]
The angels who rebelled with Satan, and joined him in Hell, becoming demons/devils, as well as all the pagan gods of world mythologies: Their names are Beelzebub, Mammon, Belial, Moloch, Chemosh, Baal, Astarte, Astaroth, Tammuz, Dagon, Rimmon, Osiris, Isis, Orus, Saturn, Rhea, Jove, Mulciber, Azazel, Arioch, Ramiel and Nisroch.
Motifs[]
Marriage[]
Milton first presents Adam and Eve in Book IV with impartiality. The relationship between Adam and Eve is one of "mutual dependence, not a relation of domination or hierarchy." While the author does place Adam above Eve in regard to his intellectual knowledge, and in turn his relation to God, he also grants Eve the benefit of knowledge through experience. Hermine Van Nuis clarifies that although there is a sense of stringency associated with the specified roles of the male and the female, each unreservedly accepts the designated role because it is viewed as an asset. Instead of believing that these roles are forced upon them, each uses the obligatory requirement as a strength in their relationship with each other. These minor discrepancies could be interpreted as an indication of the author's view on the importance of mutuality between a husband and a wife.
When examining the relationship between Adam and Eve, critics tend to accept an either Adam- or Eve-centered view in terms of hierarchy and importance to God. David Mikics argues, by contrast, these positions "overstate the independence of the characters' stances, and therefore miss the way in which Adam and Eve are entwined with each other". Milton's true vision reflects one where the husband and wife (in this instance, Adam and Eve) depend on each other and only through each other's differences are able to thrive.
Although Milton does not directly mention divorce, critics posit theories on Milton's view of divorce based on inferences found within the poem, and, of course, the tracts on divorce Milton wrote earlier in his life. Other works by Milton suggest he viewed marriage as an entity separate from the church. Discussing Paradise Lost, Biberman entertains the idea that "marriage is a contract made by both the man and the woman". Based on this inference, Milton would believe that both man and woman would have equal access to divorce, as they do to marriage.
Idolatry[]
Milton's 17th-century contemporaries by and large criticised Milton's ideas and considered him as a radical, mostly because of his well-known Protestant views on politics and religion. One of Milton's greatest and most controversial arguments centres on his concept of what is idolatrous; this topic is deeply embedded in Paradise Lost.
Milton's first criticism of idolatry focuses on the practice of constructing temples and other buildings to serve as places of worship. In Book XI of Paradise Lost, Adam tries to atone for his sins by offering to build altars to worship God. In response, the angel Michael explains that Adam does not need to build physical objects to experience the presence of God. Joseph Lyle points to this example, explaining "When Milton objects to architecture, it is not a quality inherent in buildings themselves he finds offensive, but rather their tendency to act as convenient loci to which idolatry, over time, will inevitably adhere." Even if the idea is pure in nature, Milton still believes that it will unavoidably lead to idolatry simply because of the nature of humans. Instead of directing their thoughts towards God, as they should, humans tend to turn to erected objects and falsely invest their faith. While Adam attempts to build an altar to God, critics note Eve is similarly guilty of idolatry, but in a different manner. Harding believes Eve's narcissism and obsession with herself constitutes idolatry. Specifically, Harding claims that "... under the serpent's influence, Eve's idolatry and self-deification foreshadow the errors into which her 'Sons' will stray." Much like Adam, Eve falsely places her faith into herself, the Tree of Knowledge, and to some extent, the Serpent, all of which do not compare to the ideal nature of God.
Furthermore, Milton makes his views on idolatry more explicit with the creation of Pandæmonium and the exemplary allusion to Solomon's temple. In the beginning of Paradise Lost, as well as throughout the poem, there are several references to the rise and eventual fall of Solomon's temple. Critics elucidate that "Solomon's temple provides an explicit demonstration of how an artefact moves from its genesis in devotional practice to an idolatrous end." This example, out of the many presented, conveys Milton's views on the dangers of idolatry distinctly. Even if one builds a structure in the name of God, even the best of intentions can become immoral. In addition, critics have drawn parallels between both Pandemonium and Saint Peter's Basilica,[citation needed] and the Pantheon. The majority of these similarities revolve around a structural likeness, but as Lyle explains, they play a greater role. By linking Saint Peter's Basilica and the Pantheon to Pandemonium—an ideally false structure, the two famous buildings take on a false meaning. This comparison best represents Milton's Protestant views, as it rejects both the purely Catholic perspective and the Pagan perspective.
In addition to rejecting Catholicism, Milton revolted against the idea of a monarch ruling by divine right. He saw the practice as idolatrous. Barbara Lewalski concludes that the theme of idolatry in Paradise Lost "is an exaggerated version of the idolatry Milton had long associated with the Stuart ideology of divine kingship". In the opinion of Milton, any object, human or non-human, that receives special attention befitting of God, is considered idolatrous.
Interpretation and criticism[]
The writer and critic Samuel Johnson wrote that Paradise Lost shows off "[Milton's] peculiar power to astonish" and that "[Milton] seems to have been well acquainted with his own genius, and to know what it was that Nature had bestowed upon him more bountifully than upon others: the power of displaying the vast, illuminating the splendid, enforcing the awful, darkening the gloomy, and aggravating the dreadful."
Milton scholar John Leonard interpreted the "impious war" between Heaven and Hell as civil war :
Paradise Lost is, among other things, a poem about civil war. Satan raises 'impious war in Heav'n' (i 43) by leading a third of the angels in revolt against God. The term 'impious war' implies that civil war is impious. But Milton applauded the English people for having the courage to depose and execute King Charles I. In his poem, however, he takes the side of 'Heav'n's awful Monarch' (iv 960). Critics have long wrestled with the question of why an antimonarchist and defender of regicide should have chosen a subject that obliged him to defend monarchical authority
The editors at the Poetry Foundation argue that Milton's criticism of the English monarchy was being directed specifically at the Stuart monarchy and not at the monarchy system in general.
In a similar vein, critic and writer C.S. Lewis argued that there was no contradiction in Milton's position in the poem since "Milton believed that God was his 'natural superior' and that Charles Stuart was not." Lewis interpreted the poem as a genuine Christian morality tale.
Other critics, like William Empson, view it as a more ambiguous work, with Milton's complex characterization of Satan playing a large part in that perceived ambiguity. Empson argued that "Milton deserves credit for making God wicked, since the God of Christianity is 'a wicked God.'" Leonard places Empson's interpretation "in the [Romantic interpretive] tradition of William Blake and Percy Bysshe Shelley." As Blake famously wrote, "The reason Milton wrote in fetters when he wrote of Angels & God, and at liberty when of Devils & Hell, is because he was a true Poet and of the Devil's party without knowing it." This quotation succinctly represents the way in which the 18th- and 19th-century English Romantic poets viewed Milton.
Empson's view is more complex. Leonard points out that "Empson never denies that Satan's plan is wicked. What he does deny is that God is innocent of its wickedness: 'Milton steadily drives home that the inmost counsel of God was the Fortunate Fall of man; however wicked Satan's plan may be, it is God's plan too [since God in Paradise Lost is depicted as being both omniscient and omnipotent].'" Leonard calls Empson's view "a powerful argument", he notes that this interpretation was challenged by Dennis Danielson in his book Milton's Good God (1982).
Iconography[]
The first illustrations to accompany the text of Paradise Lost were added to the fourth edition of 1688, with one engraving prefacing each book, of which up to eight of the twelve were by Sir John Baptist Medina, one by Bernard Lens II, and perhaps up to four (including Books I and XII, perhaps the most memorable) by another hand. The engraver was Michael Burghers (not 'Burgesse' as given in the Christ's College website). By 1730 the same images had been re-engraved on a smaller scale by Paul Fourdrinier.
Some of the most notable illustrators of Paradise Lost included William Blake, Gustave Doré and Henry Fuseli. However, the epic's illustrators also include John Martin, Edward Francis Burney, Richard Westall, Francis Hayman, and many others.
Outside of book illustrations, the epic has also inspired other visual works by well-known painters like Salvador Dalí who executed a set of ten color engravings in 1974. Milton's achievement in writing Paradise Lost while blind (he dictated to helpers) inspired loosely biographical paintings by both Fuseli and Eugène Delacroix.
Gallery[]
And special features of Life and Work: Bienvenido Bones Bañez, Jr. was born on June 7, 1962 in Davao City, Philippines.[3] A Filipino Surrealist artist and he studied at the Learning Center of the Arts (now Ford Academy of the Arts) in that city, where one of his tutors was Victorio C. Edades, Jr.[4] In 2002 he won the Asian Fellowship Painting Competition of the Vermont Studio Center in Vermont, USA.[1]:47 In 2004, Bañez went to New York where he now lives. In 2010, he was included in Lexikon der phantastischen Künstler and KunstHerz. https://books.google.com.ph/books?id=2jZPEAAAQBAJ&pg=PA573&lpg=PA573&dq=bienvenido+bones+banez+jr+KunstHerz+Gerhard+Habarta&source=bl&ots=jQqXN8QN44&sig=ACfU3U3xnGxpofJHmHklaJdInxTQ41DO6w&hl=en&sa=X&ved=2ahUKEwiwkrmzi7j4AhWVSmwGHQPMD9EQ6AF6BAgWEAI#v=onepage&q=bienvenido%20bones%20banez%20jr%20KunstHerz%20Gerhard%20Habarta&f=false
He is a Board Member of the Williamsburg Circle of International Arts and Letters. Our Members - Williamsburg Circle of International Arts & Letters👇https://archive.org/details/fb-img-1682156742721/page/n3/mode/1up https://issuu.com/bienvenidobonesbanezjr./docs/fb_img_1682156742721_2_
Between 2009 and 2014 several drawings and paintings were acquired for the Robert J. Wickenheiser John Milton collection at the University of South Carolina. https://peoplepill.com/people/robert-j-wickenheiser https://sc.edu/search#gsc.tab=0&gsc.q=Bienvenido%20Bones%20Banez%20&gsc.sort= 💥_______ https://scholarcommons.sc.edu/cgi/viewcontent.cgi?article=1016&context=tcl_news - - - 🇺🇸https://www.slideshare.net/bienvenidobonesbanez1/thomas-cooper-society-newsletter-winter-2013 - - - - - - 🇺🇸👌https://books.google.com/books/about/Th_Acrostic_Paradise_Lost.html?id=Z60REAAAQBAJ 🇺🇸 https://archive.org/details/fb-img-1667373055701 In 2017 a portrait of John Milton was added to the Milton’s Cottage collection, and he was named to the editorial board of Emanations, a print anthology of poetry, fiction and essay published by International Authors. Among renowned board members is Michael Moorcock. 🇺🇸 Banez has exhibited in many shows at the Williamsburg Art & Historical Center, also at the Society for Art of the Imagination, and many other venues. He also performs extempore on piano. 🇺🇸🇺🇸 He exhibited art in a show called "Visionaries" at Queensborough Community College[5] that included many renowned artists including Isaac Abrams, Miguel Tio, and H.R. Giger. Giger’s work can be seen in the 1979 film “Alien” for which he was awarded an Oscar for Best Achievement in Visual Effects. 'Alien' Artist H.R. Giger's Work to be Featured in Queens Exhibit - Bayside - New York - DNAinfo https://www.dnainfo.com/new-york/20120703/bayside/alien-artist-hr-gigers-work-be-featured-queens-exhibit/ 🇺🇸https://archive.org/details/vid-20221223-152643 John Milton and “Surrealmageddon” Following the model of his colleague and sometime collaborator Terrance Lindall, Bañez has devoted considerable energies to projects inspired by poet John Milton. While there is much to commend, the philosophical relationship between Bañez and Milton is weakened by the popular influence of William Blake and his lensed reading of Milton, which is clearly flawed. The influence of Blake is not unusual, however, among artists and poets, to whom Blake is awarded the status of “prophet”, as if artistic and poetic enthusiasm is more important than a careful and accurate reading of poetic texts emphasizing the careful identification of historical and philosophical contexts. Among inspired poets and painters, Bañez’s amplification of the “heroic” status of Milton’s Satan is among the more intriguing and detailed exercise of such “Beatnik” misreadings. Of course, such misconception is arguably appropriate to our times, and is itself an exercise of Bañez’s hermeneutical technique. https://issuu.com/bienvenidobonesbanezjr./docs/screenshot_20230527_094558_1_ https://issuu.com/bienvenidobonesbanezjr./docs/vdocuments.site_the-new-international-surrealist-m
An intriguing theme in Bañez’s work is his protean notion of “Surrealmageddon”. A fusion of early-20th Century Surrealistic theorizing, satire, faux-occult posturing, Blakean readings of John Milton, Terrance Lindall’s outspoken criticism of the politics of the contemporary art “scene”, and apocalyptic Jewish and Christian eschatology, the concept of “Surrealmageddon” lends hermeneutic coherence to the dynamic and unsettling figures that populate Bañez’s canvases. Obscure, ironic, and horrific, the notion of Surrealmageddon underscores a manifold vision of globalism, contemporary fascism, ecological devastation, cultural decline, and provocative species of existential and theological skepticism. Drawing unevenly on Bañez’s concept, the collaborative Introduction appearing in the third volume of International Authors’ arts anthology, Emanations: Third Eye amply dilates on the idea to remarkable (and humorous) effect. Selected exhibitions[edit] 🇺🇸🇺🇸🇺🇸🇺🇸 2017 a portrait of John Milton was added to the Milton’s Cottage collection, and he was named to the editorial board of Emanations, a print anthology of poetry, fiction and essay published by International Authors.. https://www.liquisearch.com/terrance_lindall/the_paradise_lost_elephant_folio http://internationalauthors.info/editorial.html Phillip Somozo on Emanations: Third Eye. ____🇺🇸http://gypsyscholarship.blogspot.com/2014/04/phillip-somozo-on-emanations-third-eye.html?m=1 BOOK- EMANATIONS-7' ': CHORUS PLEIADES, by Carter Kaplan, And Master Terrance Lindall introduce the Emanations Seven and including the artwork by Bienvenido Bones Bañez and Chris Arabadjis for their cover art. https://www.bitchute.com/video/M565zd23wmmt/ John Milton Projects 2009-2015 by Terrance Lindall, Robert J Wickenheiser, with Masterpiece painting by Bienvenido Bones Bañez https://archive.org/details/vid-20230215-124321 Pandemonium, Palette🎨artist of flaming colors is Bienvenido Bones Bañez Jr. Artwork by Sir Terrance Lindall 🇺🇸 https://archive.org/details/fb-img-1673584419583 "The Milton Projects by Philip Somozo" Robert J. Wickenheiser & Terrance Lindall The Milton's Projects 2009 - 2015 https://archive.org/details/324515196-729711785175258-7122781570131240898-n Zazzle accused of using Filipino artist's painting without permission"-(PitchMark Source - Mynewsdesk👇https://archive.org/details/videoplayback-10_20230125 - - - - - 🇺🇸 https://fb.watch/iUm38_QL4j/ https://archive.org/details/img_1_1674100061589 Celebratory Exhibition in FIFTY YEARS FANTASTIC by 58 Notability for International Artists Representing 22 Countries & Future of Fantastic Visionary Art World https://archive.org/details/videoplayback-1_20230108 KUNSTHERZ by Prof Gerhard Habarta https://archive.org/details/kunst-herz-by-prof-gerhard-habarta-video-by-bienvenido-bone Thomas Copper Society Newsletter - Winter 2013, University of South Carolina, University Libraries. USA https://archive.org/details/img-20221223-145324 https://www.wahcenter.net/events/2012/paradiselostcollectorsevening/ ___💥https://peoplepill.com/people/robert-j-wickenheiser https://www.quora.com/profile/Bienv - ___🇺🇸Quora https://www.quora.com/profile/Bienvenido-Bones-Ba%C3%B1ez-Jr/https-www-wahcenter-net-events-2012-paradiselostcollectorsevening-Bienvenido-Bones-Banez-Jr-born-1962-in-Davao-Cit?ch=15&fbclid=IwAR2kJR859AGXAyUb8YBLHKfJLzUbaiXDWppJc9zRXPlSZEBgXzKCS-J0cTY&oid=73514745&share=d06d8901&srid=OsnH&target_type=post Visionaries: The Art of the Fantastic | Queens Public Television https://qptv.org/content/visionaries-art-fantastic Bienvenido Bones Banez, Jr. - QCC Art Gallery https://artgallery.qcc.cuny.edu/profile/bienvenido-bones-banez-jr-1962/ World News- bienvenido bones banez https://wn.com/mobile/bienvenido_bones_banez Welcome Bones 666 Art World https://web.archive.org/web/20220921201548/https://welcomebones666artworld.trilogistick.com/ "Thomas Cooper Society Newsletter - Winter 2013" by University Libraries--University of South Carolina https://scholarcommons.sc.edu/tcl_news/17/ Title Pananaw: Philippine Journal of Visual Arts, Issue 2 ("Ben Bañez Jr." as Bienvenido Bones Bañez Jr.) Contributor National Commission on Culture and the Arts (Philippines) Publisher National Commission for Culture and the Arts, 1998 Original from the University of California Digitized 15 Jan 2019 https://books.google.com.ph/books?id=GAJRhZozwvkC&q=ben%20Ba%C3%B1ez%20jr&dq=ben%20Ba%C3%B1ez%20jr&hl=en&sa=X&ved=2ahUKEwjc47j0g5r9AhWMilYBHeIYCKgQ6AF6BAgFEAM Bibliographic information QR code for Ani Title Ani, Volume 4 Contributor Cultural Center of the Philippines Publisher Cultural Center of the Philippines., 1990, ( Ben Bañez Jr. as Bienvenido Bones Bañez, Jr.) Original from the University of Michigan Digitized 16 May 2008
World News - bienvenido “bones” banez, jr. https://wn.com/mobile/bienvenido_%E2%80%9Cbones%E2%80%9D_banez,_jr.?fbclid=IwAR1vgK606OgLL5d0wuj9VBmU4d8sbfNNtjcmRasQrxi4QEE2hpkP9wiEHPY
Export Citation studylib.net - Essays, homework help, flashcards, research papers, book reports, and others https://studylib.net/search/?q=Bienvenido+Bones+Banez+jr https://books.google.com.ph/books?id=t35kAAAAMAAJ&dq=ben%20Ba%C3%B1ez%20jr&focus=searchwithinvolume&q=ben%20Ba%C3%B1ez%20jr https://books.google.com.ph/books?id=GAJRhZozwvkC&q=ben+Ba%C3%B1ez+jr&dq=ben+Ba%C3%B1ez+jr&hl=en&sa=X&ved=2ahUKEwjc47j0g5r9AhWMilYBHeIYCKgQ6AF6BAgFEAM Paradise Lost/Preload Bienvenido Bones Banez Jr YouTube https://m.youtube.com/channel/UCTSbDUDh6pSnjpzXl1xMwQQ/videos Dinner with the Devil [5] Williamsburg Art & Historical Center, Brooklyn, New York, USA, Sept 19, 2014 Satanic Verses Reading [6] Williamsburg Art & Historical Center, Brooklyn, New York, USA, Sept, 2014 The first presentation of The Satanic Verses of Bones Bañez Williamsburg Art & Historical Center, Brooklyn, New York, USA, Jan 25, 2014 https://www.grandparadiselost.com/about-terrance-lindall Satan’s Peculiar Grace[7] 14th Annual WAH Salon Art Club Show, Williamsburg Art & Historical Center, Brooklyn, New York, USA, Jan 26-Feb 24, 2013 The Society For Art Of Imagination Exhibition,[8] Phantasten Museum (Phantastenmuseum Wien), Palais Palffy; Vienna, Austria 2012 https://oneartspace.com/society-for-art-of-imagination-visionary-alchemy/ WAH's 16th Anniversary, The Grand Harvest:[9] International Juried Show with Awards, WAH Center, Brooklyn, NY, USA, Oct 27-Dec 9, 2012 The Visionaries Show at the QCC Art Gallery,[10] Queensborough Community College, New York, USA. "Visionaries: The Art Of The Fantastic" July 12, 2012 - to September 20, 2012 https://archive.org/details/videoplayback-1_20230108 Paradise Lost Collectors Weekend And Antiquarian Books and Art Exhibit,[11] WAH Center, Brooklyn, NY, USA, April 14–15, 2012 WAH Salon Art Club,[12] WAH Center, Brooklyn, NY, USA: 2011, 2010, 2009, 2008, 2007, 2006 Fifty Year Fantastic,[13] The Society for Art of Imagination, United Kingdom, London, 2010 https://www.vagallery.com/bienvenido-bones-banez-jr.html Great Artists Exhibit,[14] Museo Dabawenyo, Davao, Philippines, 2010 The BUSO Complex in BAGOBO Folklore • THE ASWANG PROJECT https://www.aswangproject.com/bagobo-buso/ Selected Contemporary Works From The Permanent Collection, PART 2 (2002–Present),[15] Williamsburg Art & Historical Center, Brooklyn, New York, USA Paradise Lost Festival and Exhibit Celebrating Milton's 400th Birthday,[16] 2008 http://www.nyartbeat.com/event/2010/3DD8 Brave Destiny Exhibit,[17] WAH Center, Brooklyn, NY, USA, 2003 https://www.wahcenter.net/tag/bienvenido-banez/ Reviews and publications[edit] Poetry: “The Electric Tree of Knowledge”, “Diabolyric #1”, “Diabolyric #2”, pp. 230-283; illustrations: 28, 281, 282. Kaplan, Carter, Ed. (2021). Emanations: When a Planet was a Planet. p. xvi. Brookline, Massachusetts: International Authors. ISBN 9798473980073 Search this book on .. Illustration: p. 138. Kaplan, Carter, Ed. (2020). Octo-Emanations. Brookline, Massachusetts: International Authors. ISBN 9798668854769 Search this book on .. Special section: Emanations: My Other Body is Something Else, “Lamentations of a Junior Athenian”. Illustrations: pp. 68, 141; in Kaplan, Carter, Ed. (2018). Emanations: Chorus Pleiades. p. xvi. Brookline, Massachusetts: International Authors. ISBN 9781729772539 Search this book on .. Illustration. Kaplan, Carter, Ed. (2018). Echoes. Brookline, Massachusetts: International Authors. ISBN 9781721136599 Search this book on .. https://www.wahcenter.net/tag/bienvenido-banez/ https://prabook.com/web/mobile/#!profile/3755149 http://www.artofimagination.org/Pages/Banez.html Illustrations: pp. 45,135. Kaplan, Carter, Ed. (2017). Emanations: I Am Not a Number. Brookline, Massachusetts: International Authors. ISBN 9781545422588 Search this book on .. Illustration: p. 138. Kaplan, Carter, Ed. (2016). Emanations: Foray into Forever. Brookline, Massachusetts: International Authors. ISBN 9781499703719 Search this book on .. Bañez, Bienvenido Bones and Dr Horace Jeffery Hodges (2014) The Satanic Verses of Bones Bañez - Signed by Authors and Artist, Paperback, Yuko Nii Foundation; 1ST edition (2014). ISBN 1495117340 Search this book on .. ISBN 978-1495117343 Search this book on .. https://thoughtgallery.org/events/satanic-verses-bones-banez/ Illustrations: 304, 305; “Statement and Confession”, p. 303; contribution to the Introduction, “Surrelamageddon,” which includes the work of various scholars, poets and visual artists. Kaplan, Carter, Ed. (2013). Emanations: Third Eye. p. xvi. Brookline, Massachusetts: International Authors. ISBN 0615494404 Search this book on .. Illustration, p. 56. Kaplan, Carter, et al. (2012). Emanations: Second Sight. The second anthology showcasing the work of thirty writers from around the world, with illustrations by various artists. Brookline, Massachusetts: International Authors. ISBN 9781491257081 Search this book on .. Visionaries: The Art of the Fantastic, 1st Edition. ISBN 1936658143 Search this book on .. 2012: QCC Art Gallery Press. Lindall, Terrance (2012) with commentary by John Milton's Paradise Lost, p. 53. ISBN 978-1-4675-6146-4 Search this book on .. 2012: Yuko Nii Foundation. Surrealism in the Philippines (An interview with multidisciplinary artist and writer Danny Castillones Sillada).[18] 2012: ArtSlant, New York. Visionaries: the Art of the Fantastic,[19] a Queens Public Television review. https://vimeo.com/107840144 Himmelblau, Ulrich Goette (2010). Who's Who in Visual Art 2010-2011: 100 Artists in Painting, Graphic Arts, Digital Arts, Sculpture. 2010: Art Domain Whois Verlag. ISBN 3981347404 Search this book on .. Rapp, Otto (2010). Visionary Art Yearbook 2010-2011;[20] Canada: Otto Rapp. Somozo, Phillip (Jan-Feb 2010). Mindanaoan Artist in Lexicon of Surrealism,[21] p. 48. Manila: Filipinas Mag. Somozo, Phillip (2009). Mindanaoan Artist Visual Irony in Lexicon of Surrealism,[22] Ang Dabawenyo. Habarta, Gerard (2009). Lexikon der phantastischen Künstler.[23] Encyclopedia of Fantastic & Surrealistic & Symbolist & Visionary Artists. Germany: Books on Demand. pp. 47–48. ISBN 3837084272 Search this book on .. Ayala, Tita Lacambra, and Ricardo M. Ungria (2008). Davao Harvest 2.[24] Manila, Philippines: National Commission for Culture and the Arts. ISBN 9718141162 Search this book on .. Lindall, Terrance. What’s New in the Surreal World,[25] p. 164. March 2006: Art and Antiques Magazine. Ramirez, Eileen Legaspi (2006). Crossbred and Emigre: Visual Art in a Flux[26] (Commissioned Article). Manila: National Commission for Culture and the Arts. Datuin, Flaudette May V. and Alya Honasan (1998) PANANAW: Philippine Journal of Visual Arts (Vol. 2).[27] Manila, Philippines: National Commission for Culture and the Arts. Index of Painters and Sculptors Biography and Works Around the World[28] References[edit] ↑ Jump up to: 1.0 1.1 1.2 Gerhard Habarta (2013). Lexikon der phantastischen Künstlerinnen et Künstler: Surrealisten, Phantasten, Symbolisten, Visionäre. Norderstedt: Books on Demand. ISBN 9783848263073.[unreliable source?] ↑ "Mindanaoan Artist in Lexicon of Surrealism". Filipinas Mag. Retrieved 2014-05-05. ↑ "Bienvenido Bones Bañez, Jr. by Phillip Somozo". James Baldwin Cohen. Retrieved 2014-01-09. ↑ Revisiting the Art of Victorio Edades., M Magazine: Life and Living in Mindanao, Issue No. 2, July 2008, p. 44. Margot Marfori writes: "Edades and Aida Ford encouraged talent to flourish and flower further. Evidence of this is seen in one of the students of the very first group under his tutelage in the Center. Ben Bañez, for example, who is now based in New York City was recently conferred as one of the foremost surrealist painters of the world." ↑ "Archive - Thought Gallery, New York". Retrieved 10 December 2017. ↑ "Archive - Gypsy Scholar by Horace Jeffery Hodges". Retrieved 10 December 2017. ↑ "Archive - Williamsburg Art & Historical Center". Retrieved 4 October 2014. ↑ "Society for Art of Imagination Exhibition Phantasten Museum Vienna". Fantastic Visions. Retrieved 4 October 2014. ↑ "Archive - Williamsburg Art & Historical Center". Retrieved 4 October 2014. ↑ "QCC Art Gallery". Retrieved 4 October 2014. ↑ "Archive - Williamsburg Art & Historical Center". Retrieved 4 October 2014. https://www.coursehero.com/file/106130519/artspdf/ ↑ "Archive - Williamsburg Art & Historical Center". Retrieved 4 October 2014. ↑ "Member Gallery". Society for Art of Imagination. Retrieved 4 October 2014. ↑ "Great artists exhibit at Museo Dabawenyo". www.sunstar.com.ph. Retrieved 4 October 2014. https://edgedavao.net/special-supplement/2017/10/30/filipino-dabawenyo-immigrant-world-citizen/ ↑ "Archive - Williamsburg Art & Historical Center". Retrieved 4 October 2014. ↑ "Archive - Williamsburg Art & Historical Center". Retrieved 4 October 2014. ↑ "Archive - Williamsburg Art & Historical Center". Retrieved 4 October 2014. https://www.biblio.com/book/satanic-verses-bienvenido-bones-banez-jr/d/1041393014 ↑ "ArtSlant - Surrealism in the Philippines (An interview with multidisciplinary artist and writer Danny Castillones Sillada)". ArtSlant. Retrieved 4 October 2014. https://knowledgeburrow.com/who-is-famous-painter-in-philippines/ ↑ "Visionaries: The Art of the Fantastic - qptv.org". Retrieved 4 October 2014. ↑ "Visionary Art Yearbook 2010 - 2011". Fantastic Visions. Retrieved 4 October 2014. ↑https://www.mynewsdesk.com/sg/pitchmark/news/zazzle-accused-of-using-filipino-artists-painting-without-permission-460441 🇺🇸http://www.filipinasmag.com/webmag/1003/26.swf ↑ https://sites.google.com/site/internationalsurrealism/home/new-international-surrealists-of-the-21st-century/bienvenido-bones-banez-jr ↑ "Der Autor". Retrieved 4 October 2014. ↑ "The long wait for "Davao Harvest 2" is over". Retrieved 4 October 2014. https://www.quora.com/profile/Bienvenido-Bones-Ba%C3%B1ez-Jr ↑ https://studylib.net/doc/8353044/what-s-new-in-the-surreal-world ↑ "National Commission for Culture and the Arts". Retrieved 4 October 2014. ↑ "PANANAW: Philippine Journal of Visual Arts (Vol. 2) - Asia Art Archive". Retrieved 4 October 2014. https://artfacts.net/artwork/extinction-666-art-world-with-satan-inspiring-the-world/671d87da-29b9-4303-a3dd-ac830e50a97a ↑ http://www.settemuse.it/pittori_index/B05.htm This article "Bienvenido "Bones" Bañez Jr." is from Wikipedia. The list of its authors can be seen in its historical. Articles copied from Draft Namespace on Wikipedia could be seen on the Draft Namespace of Wikipedia ((((And here's the complete Citations, References https://www.quora.com/profile/Bienvenido-Bones-Ba%C3%B1ez-Jr/https-www-wahcenter-net-events-2012-paradiselostcollectorsevening-Bienvenido-Bones-Banez-Jr-born-1962-in-Davao-Cit?ch=15&fbclid=IwAR2kJR859AGXAyUb8YBLHKfJLzUbaiXDWppJc9zRXPlSZEBgXzKCS-J0cTY&oid=73514745&share=d06d8901&srid=OsnH&target_type=post ))) Bones (nickname) - Infogalactic: the planetary knowledge core https://infogalactic.com/info/Bones_(nickname) 🇺🇸https://peoplepill.com/people/bienvenido-bones-banez-jr . ((( Bienvenido Bones Bañez Jr at Immunonuclear 👇 https://commons.wikimedia.org/wiki/User_talk:Immunonuclear ))) https://famedata.miraheze.org/wiki/Q2295 And Awesome Visionaries in the New York art world power! Only First World Country New York Art World Historical Contextual and Prophetic! The legacy of Sir John Milton Projects Surrealmageddon Visual Poetry!
OUR GREAT PHILOSOPHERS-SURREALIST IS SIR TERRANCE LINDALL" With BONES REVELATION, and JOHN MILTON SURREALMAGEDDON MACHINE! WE ARE PROUD TO HAVE OUR GREAT PHILOSOPHER, VISIONARY, JOHN MILTON'S BOOK EXPOUNDER, SURREALIST ADVOCATOR, WIKIPEDIA PROMOTER, MUSEUM FOUNDER in NEW YORK ART WORLD REVOLUTIONARY MOVEMENT!!! AND TRULY TERRANCE THE GENIUS!!! AND HIS NAME IS MASTER TERRANCE LINDALL🇺🇸🗽👌 https://alchetron.com/Terrance-Lindall Terrance Lindall's Paradise Lost, 🇺🇸 Terrance Lindall, Once upon a time and I was so happy with searching my favorite artist, before I visited the Williamsburg Art & Historical Center. First of all I was won the Freeman Fellowship in Vermont Studio Center 2002, and I meet the VSC president his name Sir Jonathan Greg is the founder of the Vermont Studio Center Fellowship-( https://en.wikipedia.org/wiki/Vermont_Studio_Center ,) and my first one man show at Red Mill Gallery in VSC, Johnson, Vermont, and I got a message from VSC to introduce me to Alex Grey, and some my VSC fellowship are talking about my painting in similar ways to Alex Grey and that is the time to get another blessing for going to New York City, and the President of the Vermont Studio Center is Jonathan Greg suggests me to visit the Alex Grey in One Man Show, Manhattan, New York City, that was throwback 2002 December, and that is my excitement for going to New York City, and my first landed on the world famous New York Art World on December 20, 2002, and I stay at NY Hotel and I call the taxi and time to visit to our world famous artist Alex Grey and I meet him in person and he answered me for "Good for you Bien Bones to meet you" and Alex said "You and Me we are same psyche visionary" and that's my first heard for he encouraged me to do it for more painting, but I took a photo with him and paintings by Alex Grey-( https://en.wikipedia.org/wiki/Alex_Grey). After 2 days stayed in New York and I decided to going to Chicago to visit my sister in that was December 22, 2002 for another tour in Chicago Museum, and I stayed more than 4 months in Chicago and I participated in paintings art exhibits in Chicago with my 8 paintings for art festival of the "Around the Coyote Winter Arts Festival 2003, Chicago", Illinois, and while I was strolling in art haven in Chicago and there's a lot of people and galleries until I found the art magazine and I read the art news about the prestigious invitation for coming show about the Brave Destiny 2003-( https://www.wahcenter.net/exhibits/2003/surreal/BD_artists.html & https://www.wahcenter.net/exhibits/2003/surreal/ ) and that was my first apply for being participate on the world famous Surrealists and Visionary in Williamsburg Art & Historical Center and that's why I am excited to be included the famous Brave Destiny, and after Chicago and I move to California for visit my first cousin Earl Bones and I got a email and letter from Williamsburg Art & Historical Center and the good news is I am qualified for be part of the Brave Destiny 2003. Meanwhile, I have a time going to New York 2005, and I have a plan to visit the Williamsburg Art & Historical Center, and I found the Marcy Avenue at Brooklyn, and I walked in the street going to WAH Center and that place was weird and no people around here but it like the war zone area and very silent and cold days in Marcy street in Brooklyn and until I get inside the WAH Center and my first saw in WAH Center is Sir Terrance Lindall greeting to me and say Welcome to my world and I introduce myself and I am the one who painted the "My Warlock Dream 666" and Sir Terrance smiled at me and he introduced a new way of art world, and he invited me going to upstairs and Terrance Lindall show me the most important treasures in the art world collection and he was very proud to Master Yuko Nii visionary-( https://alchetron.com/Yuko-Nii ) and Terrance told me that Williamsburg Art & Historical Center one of the world's greatest art collections and that's why I am excited to be included the famous Brave Destiny 2003 and be part of the John Milton's Legacy. And the year of 2006, October, I got a blessed day with the help by Williamsburg Art & Historical Center and my first time in life as a One Man Show at WAH SALON individual exhibitions were hosted at Amarin Café, 617 Manhattan Ave., Greenpoint, Brooklyn, New York. And after years ago and I was another One Man Show 2008 at Amarin Cafe, by WAH Salon members. And another important thing in the Celebrating John Milton’s 400th Birthday
The unrivaled arts festival honoring Milton’s birthday and Paradise Lost, the greatest poem in the English language. Bridging classic literature and contemporary fine art,
performing arts and poetry reading.
September 27th — November 2nd, 2008 and click this link for more messages👇 https://www.facebook.com/100085608697157/posts/318834544313500/?app=fbl 🇺🇸& https://www.slideshare.net/BBaez1/celebrating-john-miltons-400th-birthday-the-unrivaled-arts-festival-honoring-miltons-birthday-and-paradise-lost-the-greatest-poem-in-the-english-language-satan-brings-color-to-the-world-paradise-lost-surreal-blasphemous-visual-poetry 👁️. https://www.wahcenter.net/events-and-exhibitions-archive/ 🇺🇸,And after years gone and another One Man Show at WILLIAMSBURG ART & HISTORICAL CENTER invites you to a One Person Show by a member of the WAH SALON ART CLUB Bienvenido Bones Banez jr.
Nov. 14, 2010 – Jan. 9, 2011. And after January 2011, I have another One Man Show Dec. 11, 2011 - Feb. 5, 2012. Between 2009 and 2014 several drawings and paintings were acquired for the Robert J. Wickenheiser John Milton collection at the University of South Carolina.. And I meet the world famous Prof Carter Kaplan-( https://www.encyclopedia.com/arts/educational-magazines/kaplan-carter-1960 ) in WAH Center with Sir Terrance Lindall introduce me to Prof Carter Kaplan and we gather to get a good hot coffee with Inspiring conversations on the Emanations Books and truly inspired from the New York Art World Intellectual in the International Authors-( http://internationalauthors.info/books.html ). 💥👁️And Foremost icon on the "EMANTONS ZEN" joins KENT SPECIAL COLLECTIONS❤️🙏
Our Prof Carter Kaplan have received notification that EMANATIONS ZEN is now catalogued with KENT STATE UNIVERSITY SPECIAL COLLECTIONS, joining the COMPLETE SET OF the ANTHOLOGY available there.
KIND💞THANKS to all at KENT LIBRARIES --Professor Cara Gilganbach, Head, SPECIAL COLLECTIONS & ARCHIVES; and Professor Kate Medicus, SPECIAL COLLECTIONS LIBRARIAN, CATALOGING & METADATA LEAD --and Mack Hassler, INTERNATIONAL AUTHORS EDITORIAL BOARD MEMBER and PROFESSOR of ENGLISH, EMERITUS. 🇺🇸 💞❤️🙏👁️👌 https://carterkaplan.blogspot.com/2023/12/emantons-zen-joins-kent-special.html?fbclid=IwAR31Wdm-6goeXN4w6mpeFh2EatrExEaSc3Dv-xzCd9KC9g4fDEuLHXV0qoY&m=1 🇺🇸💞KENT STATE UNIVERSITY & UNIVERSITIES LIBRARY, -(In First World Country in the United States America). 🇺🇸https://kentlink.kent.edu/record=b6071020~S1 ) In 2017 a portrait of John Milton was added to the Milton's Cottage collection, and Bienvenido Bones Bañez was named to the editorial board of Emmanations, a print anthology of poetry, fiction and essay published by International Authors. "Thomas Cooper Society Newsletter- Winter 2013" by University Libraries--University of South Carolina. And another blessed again to be a part of the Society Art of Imagination-( http://www.artofimagination.org/Pages/Banez.html ) 🇺🇸👁️( http://artofimagination.org/portfolio/bones-banez-jr/ ) and special exhibition of the Visionaries 2012 with Robert Venosa, HR Giger, Prof Ernst Fuchs, Breck Outland, Brigid Marlin, Alex Grey, Otto Rapp, Sandra Stanton, Miguel Tio, Olga Spiegel, KD Matheson, Eike Erzmoneit, Pedro De Kastro, Cynthia Lund Torroll, Tanya Miller, France Garrido, Peter Gric, Janelle Mckain, Martina Hoffmann, Heidi Taillefer, Carroll Spicuzza, Carrie Ann Baade, Scott Jason, Isaac Abrams, Erik Heyninck, De Es Schwertberger, John Seabury, Mario Martinez (Aka MARS-1), William Otto, Yarek Godfrey, Artur Golacki, Kim M Evans, Graszka Paulska, Steven Peabody, Michel De Saint Ouen, Shlomo Felberbaum, Madeline Von Forester, Sibylle Ruppert, at Queensborough Community College-( https://qptv.org/content/visionaries-art-fantastic ) is the "City University of New York-( https://artgallery.qcc.cuny.edu/exhibits/visionaries/ .) ( https://www.dnainfo.com/new-york/20120703/bayside/alien-artist-hr-gigers-work-be-featured-queens-exhibit/ ) "In the year of 2011 and Sir Terrance Lindall wrote the Wikipedia Article for Me as "Bienvenido "Bones" Banez" and I was happy to see the Google search: https://ipfs.io/ipfs/QmXoypizjW3WknFiJnKLwHCnL72vedxjQkDDP1mXWo6uco/wiki/Bienvenido_%22Bones%22_Banez%2C_Jr..html ) and I found it on the beautiful day of the year 2011, because Sir Terrance Lindall love my paintings and my weirdo grunge poetry is dystopian but before Wikipedia Article write by Terrance Lindall and I have a website is "Welcome Bones 666 Art World" I made that was 2003 at Chicago, Illinois, and after years ago and my first time to participated in the John Milton's 400th Birthday 2008 at Williamsburg Art & Historical Center, Brooklyn, New York Art World! And here's the world of Terrance Lindall as a Encyclopedic and mentioned my name for Paradise Lost Elephant Folio👇 https://studylib.net/doc/26258097/654851680-universal-mind-s-paradise-lost-of-terrance-lind... And that years I was just inspired by Sir Terrance Lindall and Dr Robert J Wickenheiser lecturing in Williamsburg Circle of International Arts, and I was special artist in the Miltonian Legacy with our world famous Dr Robert J. Wickenheiser with Sir Terrance Lindall. And Sir Terrance Lindall introduce me to Dr Robert J. Wickenheiser and I never realized that I am part of the Elephant folio Paradise Lost by Terrance Lindall and Dr Robert J Wickenheiser Commentary in the Paradise Lost Elephant Folio, and my word inspiration is part of the world historical context in saying:"Satan Brings Color To The World". And throwback 2014 Terrance Lindall read the Satanic Verses Bones Banez after I played the grand piano-( https://carterkaplan.blogspot.com/2023/12/surreal-vocalist-pianist-bienvenido.html?m=1&fbclid=IwAR3MJ0aNw20rQzZ7zRMBq7QJpKD5TFdQP9tkDZmOYWKZn9K2A7nR-Ru8GvA -)of Satanic Rhapsody in my spontaneous composition, and that was my first special featured from the greatest legacy in John Milton's Paradise Lost with Terrance Lindall with Dr Robert J Wickenheiser. 👇( https://wahcenter.wixsite.com/wah-center-books/about-terrance-lindall ) and I was in great jubilation with our world famous Miltonian New York with Dr Robert J Wickenheiser and Sir Terrance Lindall, after years and Sir Terrance Lindall write about Wikipedia Article for Dr Robert J Wickenheiser, and Sir Terrance Lindall using the photo of three of us are "Robert J Wickenheiser, at Center, Bienvenido Bones Bañez, at left and Sir Terrance Lindall at right"-( https://peoplepill.com/i/robert-j-wickenheiser ) And I introduced my spontaneous piano as a surreal sound of music and did you know only Terrance Lindall give the title as a-(Satanic Rhapsody) of my piano composition for another part of the Satanic Verses of John Milton Project. And Me as Bienvenido Bones Bañez and Terrance Lindall have my greatest experience in Two Man Show with the world famous Philosopher, Museum Founder and Surrealist is Master Terrance Lindall, and Collaboration for the John Milton's Legacy in Williamsburg Art & Historical Center, New York Art World. And Satanic Verses Bones Banez Collaboration with Terrance Lindall because I believe only Master promoter in Wikipedia Article and John Milton Projects advocator and John Milton propaganda machine is Master Terrance Lindall can create the promoting content in the John Milton's Legacy of historical context in New York Art World, to magnifying the grandeur of the World John Milton's Paradise Lost Into Colorful Historical Contexts, and that is the power and reason for being creating the Wikipedia Article for Robert J Wickenheiser, Bienvenido Bones Bañez, Amanda Husberg, and Dario Rivarossa. But I believe that is the power from Master in the Art World Authority that is Master Terrance Lindall have to be a part of art world authorities in Wikipedia Article and possibilities for Brittanica Encyclopedia. https://alchetron.com/Robert-J-Wickenheiser ( https://www.academia.edu/44738926/Acrostic_Paradise_Lost_by_Terrance_Lindall and Terrance Lindall's Paradise Lost https://www.academia.edu/.../Acrostic_Paradise_Lost_by... )👁️🇺🇸And the greatest New York Achievement Art World to be part of the ”Robert J. Wickenheiser donated more than 120 volumes of Milton, Bunyan and Miltonian and twenty-five works by contemporary Artists illustrating Milton Paradise Lost. The artists represented include Terrance Lindall, Robert S. Beal, Bienvenido Bones Banez, Alan Beck, Troy Frantz, and Agnieszka Szyfter.” written in the: https://scholarcommons.sc.edu/tcl_news/17/ https://sc.edu/search... THOMAS COOPER SOCIETY NEWSLETTER – WINTER 2013 (University Libraries- University of South Carolina). And we are very inspired by Master Terrance Lindall to make greatest announcement for John Milton Legacy and more propaganda machine for uplifting years and more powerful than ever, then I was featured in the Acrostic Paradise Lost by Terrance Lindall 👇 https://studylib.net/doc/26042282/acrostic-paradise-lost-final-2-reduced-page-.pdf--5- and another blessing and I thanks from Prof Gerhard Habarta in German Edition of the Lexikon Surreal 1 and 2 as a Surreal Encyclopedia and the new book 2021 KUNSTHERZ author by Prof Gerhard Habarta. But the year 2017 my Wikipedia Article about Me was blocked because I am the one who retouch the category and after twice attempt to rewrite the Wikipedia block and banned because of the "Conflicts of Interest" with working with Terrance Lindall in Williamsburg Art & Historical Center, https://en.wikipedia.org/wiki/Bienvenido_%22Bones%22_Banez_Jr. and that is reason why my Wikipedia Article was banned, but I thanks from Sir Terrance Lindall who wrote the Wikipedia Article 2011 until 2017 is still part of the New York Art World experiences. But it's my fault because I didn't ask permission to Sir Terrance Lindall, and Terrance Lindall told me that Wikipedia more about Anglo people and Terrance Lindall told me this is discrimination from Wikipedia policy and I told him I understand because I read the Wikipedia issue more on Anglo-American than third world countries and majority is english white people in the world power. And I understand that point from Terrance Lindall is true helping me with the writing of Wikipedia Article despite I am Autistic Survivors Surrealist, but despite that happened to me, well it's considered part of the world historical context of Terrance Lindall and Dr Robert J Wickenheiser. The most important thing is we have a hard cover books in Robert J Wickenheiser & Terrance Lindall The John Milton Projects 2009-2015 by Terrance Lindall with photo cover with Terrance Lindall, Robert J Wickenheiser and Bienvenido Bones Bañez, and Acrostic Paradise Lost by Terrance Lindall with my painting and photo, and I my name was included in the Paradise Lost Elephant Folio by Terrance Lindall with Dr Robert J Wickenheiser Commentary on the historical context in the University of South Carolina Library of John Milton book 👇 https://www.liquisearch.com/terrance_lindall/the_paradise_lost_elephant_folio?fbclid=IwAR13DqAKQvBconYwQbiFW-WkJqgkOG-g6PPVfz__P-WeVHb9rL_yljUO65w .) and also the German Edition by Prof Gerhard Habarta in Lexikon Surreal 1 and 2, Visionary Art Magazine 2012 by Gerhard Habarta and KunstHerz is the world notable biography in German Edition but only Filipino American Surrealist in listed in the KunstHerz 2021-👇 https://books.google.com.ph/books?id=2jZPEAAAQBAJ&pg=PA573&lpg=PA573&dq=bienvenido+bones+banez+jr+KunstHerz+Gerhard+Habarta&source=bl&ots=jQqXN8QN44&sig=ACfU3U3xnGxpofJHmHklaJdInxTQ41DO6w&hl=en&sa=X&ved=2ahUKEwiwkrmzi7j4AhWVSmwGHQPMD9EQ6AF6BAgWEAI#v=onepage&q=bienvenido%20bones%20banez%20jr%20KunstHerz%20Gerhard%20Habarta&f=false) And that's the most important thing despite Bienvenido Bones Bañez banned from the Wikipedia Article. Because my principle was "Surreal Acidity Truthful" and true Revelation of the World Paradise Lost Kingdom 666. And after years ago and I was debating in Wikimedia articles throwback 2022 and I was obsessed with promoting John Milton Surrealmageddon Visual Poetry and artwork by Terrance Lindall, but I miss the fact that I reset the Wikimedia watchers and then our Wikimedia suddenly blocked me and affected the photos of Robert J Wickenheiser with Terrance Lindall and Bienvenido Bones Bañez, and almost blocked my Wikimedia because more on personal promotions about my artworks and books and another "Conflict of Interest",. and I emailed Sir Terrance Lindall... I am sorry for another block our Wikimedia and that's why you do not see anything about WAH Center because my big responsibility and everything is my fault... That is a lesson from my fault and weakness as a Survivors Autistic Surrealist very voracious in narcissistic visual screaming in the Techno War of Propaganda machine... After all it's a work of Idiot Savant Autistic Survivors Surrealist and our beautiful memories from our autistic narcissistic I am and maybe sociopath are always part of the universe! https://studylib.net/search/?q=Bienvenido+Bones+Banez+jr&fbclid=IwAR2NsRxeOdHeghlHlKtvcpfRJ0LcB3S9xK9aT-yNyr7a-Pn700C_GAqEUs8 💥 https://online.pubhtml5.com/jltd/fore/'
WE ARE PROUD TO HAVE OUR GREATS PHILOSOPHER, VISIONARY, JOHN MILTON'S BOOK EXPOUNDER, SURREALIST ADVOCATOR, WIKIPEDIA PROMOTER, MUSEUM FOUNDER in NEW YORK ART WORLD REVOLUTIONARY MOVEMENT!!! AND TRULY TERRANCE THE GENIUS!!! AND HIS NAME IS MASTER TERRANCE LINDALL and he is the best architect visionary in the art world of John Milton Projects in New York Art World! And I want to know why important thing, and Master Terrance Lindall is the one who helped me to build up my career in art world and without him maybe I had “No Name” in Wikipedia New York Article in featured in the first world country New York Art World that has been dated in 2011 until 2017, despite Wikipedia banned the name of Bienvenido “Bones” Bañez, but the important thing is already done within Six Years Propaganda machine from John Milton Projects by our architect visionary is Master Terrance Lindall in New York Art projects. It’s a wild wild wildest New York Artists. And some my artists friends asked me why Terrance Lindall help you and build up with the majestic clan in John Milton’s Legacy? And I answered my friend request and because the power of my paintings speak loud and my grunge poetry in vulgarity is truth like a stingy pain from their eyes and ears to our audiences. And that is why our first world country Master Terrance Lindall love my paintings and Dystopian Poetry as grunge styles, and I performed in piano with my freaking spontaneously and surreal sounds like thunder distorted notes, and that makes sense to me as trance aura and I don’t know how it goes to well, but important follow your heart and mind if someone possess… After Terrance Lindall, Yuko Nii, Peter Dizzoza, Orin Buck, Sam was surprised my piano performance in WAH Center, Brooklyn, New York. And after several weeks and Terrance Lindall decided to give the title of my musical sound into the “Satanic Rhapsody” and I accept the title for my spontaneous composition in piano. And every time have an occasion for Art exhibition and performing arts, and I always participate in every annual art exhibition in WAH Center New York. But some people say that I am from third world country-( https://peoplepill.com/i/bienvenido-bones-banez-jr )and mostly Anglo-American white people are easily into the Wikipedia articles and they control their categories to separate them from first world country famous and that’s why they’re more propaganda than a measurement in our individual talents. But the irony from Wikipedia has been promoted porn star is a considered "Notable" despite fleshy stars? ( https://en.wikipedia.org/wiki/Wikipedia:Articles_for_deletion/Bienvenido_%22Bones%22_Banez_Jr. ) ( https://en.wikipedia.org/wiki/Special:WhatLinksHere/User_talk:Bienvenido_Bones_Banez,_Jr. ) ( https://en.m.wikipedia.org/wiki/Wikipedia:Articles_for_deletion/Bienvenido_%22Bones%22_Banez_Jr.?fbclid=IwAR0uo2zuruT-oqeW4MADFrQ6UYKpoBJNj9nSZ041rB2cc3qbp6DwrpsdkGA ) Well, it's a part of the Satanic Notability and famous according from Wikipedia as Wickedpedia Inspirations from criminal untouchable superstar and Notability pervert stars. They want portray they are superior races and some like eugenics systems despite imperfection DNA in the human mortal creatures desires. But will tell you the consequences magical enchanted from the Human Mortal Creatures Dreamers for let us build our names in according from Nimrod the Great build the world tallest tower in the world power is the Tower of Babel and they are totally original in making names around the world for being gods and goddesses, Inspired from the TREE OF KNOWLEDGE. Natural beings a part of the Satan Brings Color To The World Famous Names- Matthew 4 :9. / First John 5:19. / Ephesians 6:12. 🇺🇸👁️ And someone who suggested us that will be part of the Wikipedia Article for the Notability or Notable from the Human Mortal Creatures Geniuses and Welcome Bones 666 Art World Blasphemous Desires from the Tree of Knowledge turned into Surreal Blasphemous Desires!!!! But according from the book of "The Wisdom of Psychopaths: What Saints, Spies, and Serial Killers Can Teach Us About Success" by Kevin Dutton points to be part of the Wikipedia Article into the Wickedpedia Encyclopedia in "Satan Brings Color To The World Famous" from our lower edge our human mortal creatures desires. 👁️. https://www.slideshare.net/BBaez1/surrealist-meaning-of-wikipedia-turned-into-the-subliminal-wickedpedia-desires-from-human-imperfection-dna-666-deoxyribonucleicsatanicacid-into-delusional-god-complex-from-human-mortal-creatures-narcissistic-despite-the-future-for-cemeteries-world 🇺🇸👁️. https://duckduckgo.com/?q=The+Wisdom+of+Psychopath+by+Kevin+Dutton&t=h_&ia=web 👁️. https://www.ebay.com/itm/404627552366?fbclid=IwAR0VpB4AlbKGDyTuHJPrdx_AFyT2ue9Mnwu4ERQY5m9GQg-R2EidjByO_X8 🇺🇸. 🇺🇸. Meanwhile in recent months Our New York World Famous Philosophers, Surrealist, Visionary artist Sir Terrance Lindall 🇺🇸🌟and foremost icon on the John Milton's Legacy, and Thanks from Master PhD Is Dr Robert J. Wickenheiser commentary on the Terrance Lindall Folio for John Milton's Paradise Lost Into Colorful Satan Brings Color To The World!
And We proudly present to you and our universal Master Terrance Lindall for his magnificent achievements and Dr Robert J Wickenheiser and Master Yuko Nii. And here's the link for the World of Terrance Lindall👇 🇺🇲👁️Museum of Modern Art & The Metropolitan Museum
https://snaccooperative.org/view/51555704#resources
❤️🔥🇺🇲Virtual International Authority:
https://viaf.org/viaf/63032373/
🇺🇲🌍World Identities:
https://id.oclc.org/worldcat/entity/E39PBJgmK8cQTGJ66HBp4Y3PcP.html
🇺🇲🌍❤️🔥Library of Congress:
https://id.loc.gov/authorities/names/n86109912.html
🌎❤️🔥🇺🇲National Library of New Zealand:
https://researchworks.oclc.org/archivegrid/?p=1&q=Lindall,+Terrance+R.
❤️🔥🇺🇲One of the most influential persons in academia according to "InfluenceRanking"❤️🔥🙏 https://academicinfluence.com/
Analysis by machine-learning technology developed with funding from the Defense Advanced Research Projects Agency (DARPA).
Take note 👇
"NOT MANY established scholars and artists are listed on these sites. But I think being there establishes a presence for the future." 🇺🇲👁️❤️🔥.
https://johnmilton51.wordpress.com/2023/08/16/%F0%9F%87%BA%F0%9F%87%B2one-of-historys-foremost-philosopher-provocateur-artist-is-master-terrance-lindall-the-new-art-world-surrealmageddon-visual-poetry%F0%9F%92%A5/?fbclid=IwAR194tci0OOPEE_pa3YboOkJRJqbgzdT_F0-nSEER_7kaqQrCfjD1RGuXjY 🇺🇲👁️. 🙏. Here’s the Conservapedia Differs from Wikipedia 👇 https://www.conservapedia.com/Conservapedia:How_Conservapedia_Differs_from_Wikipedia 💥 https://www.google.com/search?sca_esv=592749244&sxsrf=AM9HkKl1-yYa1m1G_OiTLSMgi9IrsfkX-g:1703142461578&q=bienvenido+bones+banez+jr&tbm=bks&source=lnms&prmd=ivsnbmtz&sa=X&ved=2ahUKEwjWhLKL_J-DAxV68DgGHQ6EDQ0Q0pQJegQICxAB&biw=360&bih=683&dpr=2 🗽 https://en.everybodywiki.com/Bienvenido_Bones_Banez,_Jr.?fbclid=IwAR2Cz2ZgDRIQtINBKVPz82QeR-EtuLTzehhphyzwLQpqpWOmP9Y7EWK5XjI#google_vignette